di'van Issue 11
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When
d iˈv a n | A Journal of Accounts offers critical interpretations on contemporary art and culture, and its broader historical, socio-political, and theoretical contexts, from the greater Asia (Middle East, South/Southeast/East Asia and Asia-Pacific) regions which determine historical and current socio-cultural affinities with contemporary Australian art and society.
CONTENTS
Parergon
ALAN CRUICKSHANK
Crossing the river by feeling the stones
STEPHANIE BAILEY
Race to at Venice
ADAM GECZY
Nostalgia and intervention in colonial archives
SOUCHOU YAO
To hold you close as you fall with the hope that you may rise in a better place
MUHEB ESMAT
The Asian Modern
CHARLES GREEN
All too mixed up and civilized now
ANN FINEGAN
The art of seafaring
SIOBHAN CAMPBELL
The ineffable NFT is good as Gold(ie)
ANDREW WOOD
In and out of Oxford: reflections on Art and Trousers
HOWARD MORPHY
Published by DI'VAN ART JOURNAL (Alan Cruickshank) and UNSW Arts, Design & Architecture
Editor: Alan Cruickshank
Contributing Editor: Paul Gladston
Design: Alan Cruickshank
ISSN 2207-1563
© Copyright 2022 Alan Cruickshank in conjunction with UNSW Arts, Design & Architecture, Sydney, the authors, and artists.

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Image: Xiao Lu, Tides (video still), 2019. Image courtesy: the artist and 10 Chancery Lane Gallery, Hong Kong. Commissioned by 4A Centre for Contemporary Asian Art, Sydney, 2019.