di'van Issue 3
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When
d iˈv a n | A Journal of Accounts offers critical interpretations on contemporary art and culture, and its broader historical, socio-political, and theoretical contexts, from the greater Asia (Middle East, South/Southeast/East Asia and Asia-Pacific) regions which determine historical and current socio-cultural affinities with contemporary Australian art and society.
CONTENTS
Editorial
ALAN CRUICKSHANK
A Phármakon, (Re-)Administered: On the Mainstreaming of Critical Theory, LD50 and the Han-opticon
PAUL GLADSTON
The Double-Agency of History: Art as Fake
SOUCHOU YAO
Out of Site: Japanese Art After Censorship
REUBEN KEEHAN
Still Dancing With Taboos
MARY PELLETIER
Difficult Comparions: The Curatoiral Desire for Southeast Asia
PATRICK FLORES
Learning from the Future: Tintin Wulia's '1001 Martian Homes'
EMILY WAKELING
This Beautiful, Tangled, Chaotic Game: On Three-Sided Football, Triolectics and World Space(s)
STEPHANIE BAILEY
Tomorrow Girls: Sci-Fi, Other Worlds and Geo-Politics in Media Art from the Middle East
NAT MULLER
'One Hundred Years' On: The Worn Away Mask of Jerusalem
RANA ANANI
Sounding Out Beijing's Past and Present
COLIN SIYUAN CHINNERY
Published by DI'VAN ART JOURNAL (Alan Cruickshank) and UNSW Arts, Design & Architecture
Editor: Alan Cruickshank
Design: Alan Cruickshank
ISSN 2207-1563
© Copyright 2017 Alan Cruickshank in conjunction with UNSW Arts, Design & Architecture, Sydney, the authors, and artists.

Image: Chim↑Pom, Super Rat 2016. Courtesy: the artists, Mujin-to Production, Tokyo, and Annet Gelink Gallery, Amsterdam