di'van Issue 4
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When
d i'v a n | A Journal of Accounts offers critical interpretations on contemporary art and culture, and its broader historical, socio-political, and theoretical contexts, from the greater Asia (Middle East, South/Southeast/East Asia and Asia-Pacific) regions which determine historical and current socio-cultural affinities with contemporary Australian art and society.
CONTENTS
Parergon
ALAN CRUICKSHANK
Paper Tigers: The New Iconoclasm and Identity Politics
IAN MCLEAN
Now Where? On Navigating Without a Compass
STEPHANIE BAILEY
Tales from the Deportees Room: Porting One (DXB)
GUY MANNES-ABBOTT
Operation Sunken Sea: Flipping The Historical Narrative
BASAK SENOVA
Superpositioned: Regionality and Identity, Meaning and Critical Experience
ADAM GECZY
Unlearning Style: Rethinking Japan’s Art History in a Global Context
ANDREW MAERKLE
Akal Baanta Baanti: Experiments in Collaboration
NANCY ADAJANIA
What Comes Over the Sea: In Pursuit of Venus
ANDREW WOOD
Indigenous Futurisms, New Media and Contemporary Assertions of Indigeneity
LANA LOPESI
Published by DI'VAN ART JOURNAL (Alan Cruickshank) and UNSW Arts, Design & Architecture
Editor: Alan Cruickshank
Design: Alan Cruickshank
ISSN 2207-1563
©Copyright 2018 Alan Cruickshank in conjunction with UNSW Arts, Design & Architecture, Sydney, the authors, and artists.

Image: Lisa Reihana, 'in Pursuit of Venus (still)' 2015–17. Courtesy: Lisa Reihana and New Zealand at Venice